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Metronome
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Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
When the metronome was invented in 1815, it transformed the music world. Composers could now guide-and constrain-players of their works. Musicians ostensibly gained a tool to steer them to perfect tempo. Giants of classical music like Beethoven embraced the metronome early (its steady tick can even be heard in the eighth symphony) but fights soon erupted that have persisted today. Some consider the metronome an essential part of music instruction; others believe it creates mindless players and inhibits art.
The metronome evokes such strong feelings because it has uncompromising power. Through it, we are connected to the past, propelled into the future, and kept focused on the present. For that reason, it has been used not just by musicians but also by athletes, scientists, lawyers, and authors. Weaving together examples from music, literature, and psychology, as well as the philosophical musings of scientists and artists, Metronome uncovers the surprising and fraught history of a timeless object.
Table of Contents
Training
Anxiety
Beauty
Rebellion
Index
Product details
| Published | Jan 08 2026 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Extent | 160 |
| ISBN | 9798765108871 |
| Imprint | Bloomsbury Academic |
| Dimensions | 6 x 5 inches |
| Series | Object Lessons |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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In this clever and thoughtful exploration, Matthew Birkhold reveals how a simple ticking device became both liberator and tyrant, reshaping not just how we make music but how we understand rhythm, precision, and ultimately, our own humanity.
Christopher Cerrone, Composer, and Faculty, Mannes School of Music, The New School, USA
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Matthew Birkhold reveals the fascinating history of the metronome that not only covers music, but touches upon dance, art, education, philosophy, physics, psychology, and sports medicine. Devised by Johann Nepomuk Maelzel in 1815, Beethoven was an early supporter, but soon Maelzel's metronome (the original M.M.) inspired passionate debates amongst musicians, conductors, composers, pedagogues, and musicologists. Birkhold has successfully unveiled the deeper meanings of an innocuous device that spells out perfect time, as opposed to human time. An illuminating read.
Fumi Tomita, Associate Professor of Jazz, University of Massachusetts Amherst, USA













